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The trip
from Copenhagen to Gothenburg was a very quick one. I slept most of the way up there on
the train, due to the fact that I hadn't slept at all the night before. My friend Henrik
woke me up saying: "10 minutes until we arrive at Gothenburg Central Station René".
I looked outside the window and saw snow everywhere. "Welcome to Sweden" was my
first thought and the second one was "Damn, I should have worn my hiking boots!"
First thing we had to do after we got off the train at 12.21 PM
was to pick up our tickets for the show. We found the record shop at the station and
collected the tickets that were waiting for us. At the same place we were approached by
two young Swedes. It turned out to be two IRC'ers from Undernet #industrial (Polyfemos
and Colpy) with whom I had talked about the SEMA event. Since
neither Henrik nor I had ever been to Gothenburg before, it was a pleasant
surprise to us.
After a few hours of cd shopping we hooked up with more Swedish
teenagers, and found a place where we could start drinking some of the fine Danish beer we
had brought with us. Around 5.30 we walked down to the venue. A little crowd was standing
outside, waiting to get in. The line moved pretty fast, giving us little time to finish
the beers we had brought with us. The first 100 people who got in, would get a free Recoil
promo cd sponsored by Mute. Unfortunately we weren't among those but we
did get a compilation cd of bands, mainly of those that were to perform that night.
The place had three floors. Upstairs held a cinema room where
different Depeche Mode movies where shown. The ground
floor had a big room where stage 1 was located. The major bands were going to perform
there, and the various awards would be handed out in between shows. Downstairs had two
rooms. Each with a stage. Stage 3 reserved for Mute covering bands.
We found a place to sit in the hall with the big stage, listening
to the DJ spinning records until Cat Rapes
Dog went on at 7. They played a set that consisted of the good old hits
and their new single "Motorman." The new lead singer Johan did a good
job, so did the rest of the band. We got from them what we could expect with songs like
"Moosehair Underwear" and "Trojan Whores". Full throttle but nothing
ground breaking.
A lot of time elapsed now, walking back and forth between the
different rooms, dancing and drinking more beers. In The Nursery were set
to perform already at 8.15, but we were told that they were stuck somewhere between
Sheffield and Gothenburg, and were heavily delayed.
The atmosphere was great, I think around 1000 people were
gathered at the event. At around 11 the British band Komputer went on
stage. They had a big screen behind them to back up the music. Images of old computer
control rooms and futuristic b/w images from the movie Metropolis. Believe me, this band
sounded completely like Kraftwerk. Quite amazing but after 3 or 4 songs
it got kinda boring so we went downstairs to dance some more and found ourselves listening
to this incredibly funny Depeche Mode cover band. 4 guys
played a lot of the really old DM songs and everyone was dancing and
loving every minute.
When Covenant went on at around 0.30 we had to
sit down and listen to it. A long day of walking around and consuming large quantities of
various alcohol could no longer be ignored. A pity because the three guys did a fabulous
job. A lot of the songs were taken from the new Europa release. The PA
was running at max level and everyone were jumping around to songs like "Final
Man," "Riot" and "Leviathan." Before they started playing, the
band was given the award for best band of the year. Most deserving I must add.
The big question after Covenant was: "Is In The
Nursery going to perform?" I must admit that I didn't know what to expect
from them since, I have none of their cd's. When the huge drums that are kinda the
trademark of the band quickly were being set up on the stage we knew they hadn't let SEMA
and their fans down. They began to play at around 1.45 and after the first song Dolores
told us that if we had ever seen the movie Planes, Trains and Automobiles with Steve
Martin, we knew what they had gone through to get to Gothenburg!
During the next two songs it was quite clear that
they hadn't done a proper sound check. One of the drummers obviously couldn't hear
anything because he was out of sync with the rest of the band. We could see that the man
behind the sound board was working like crazy to get it right, but apparently it didn't
get any better. Suddenly the lights went on in the hall. At first we thought it was just
some drunk idiot, who had pushed a light switch somewhere, but after a few minutes with no
change, and upon several requests from the band to "kill the lights" we found
out why. "Sorry but we are not allowed to play for you anymore. They've pulled the
plug on us," Dolores proclaimed, visibly shaking her head in disbelief and
disappointment. The place closed at 2.00 AM precisely.
We couldn't believe what was happening right before us. Never had
any of us witnessed such a shitty treatment of a band, and the people who had payed to see
them! We left the place with a bad final impression of an event that would've been perfect
if ITN hadn't been thrown off stage like that. We said goodbye to the
crew of Swedes who had taken so good care of us during the day, and had shown us such
great hospitality.
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