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Released
1997

Label
Invisible

Reviewed by
Michael C. Lund

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Last Edit/Update
31 March, 1998

Bagman

WRAP


         
Track Listing

1. Rock 'n' Roll
2. Warp
3. Bosh (Gaijin Mix)
4. Mama
5. Headinabag
6. 1 Time 4 Your Mind (3X)
7. The Last Laugh


          
         The latest volume of Invisible's Drug Test compilations included a rather excellent demo track by Bagman. Now Bagman (a.k.a. Lee "The Bastard" of Sheep On Drugs) has released an album, and unfortunately it does not quite live up to the promise of the demo. The break-neck, euphoric pace of the percussions and other loops, used on the seven extended tracks that comprise the album, will undoubtedly score a hit with the raving dance audience. However, for any sober listener the 50 minutes of repetitive, high-adrenaline beat box assaults on Wrap, may provoke a mild shrug of the shoulders, but not much more.
          The percussions that play such a dominant role on this album are not unlike those used by Sheep On Drugs, but here they are the absolute focal point, and the songs almost totally lack the whimsical effects and themes that characterize the music of Sheep On Drugs. Also sorely missed is the presence of a real vocalist. The majority of the tracks on Wrap do feature either extended samples of female vocals (as on "Bosh" and "Headinabag"), or the manipulated slogans of Thigamahjiggee ("Rock 'n' Roll," "Warp" and "1 Time 4 Your Mind (3X)"), but neither of these conventions are adequate substitutes for the clever, tongue-in-cheek vocals that Duncan provides Sheep On Drugs with.
          Naturally, this is not supposed to be a Sheep On Drugs album, and should not be judged upon the standards thereof. However, the sound of Bagman is so very obviously half of Sheep On Drugs that the comparison deserves to be made. For those enamored of Duncan's contributions to Sheep On Drugs, Bagman's music will most likely seem incomplete and unfulfilling, while those who find Duncan's wit and vocals a bit overbearing, but otherwise like the dance aspects of Sheep On Drugs, will probably find Bagman's tripped-out percussion excursions more than delightful.   



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