
Home
Released
1995
Label
Projekt
Reviewed by
Michael C.Lund
Visit

Last Edit/Update
30 January, 1998 |
Various
Artists
BENEATH THE ICY FLOE
(VOL. 3)
Track Listing
1. Love Spirals Downwards
Avincenna
2. Lycia
The Return of Nothing
3. Lovesliescrushing
Babysbreath
4. Eden
The Darkness In Me
5. Human Drama
Sad I Cry
6. Bleak
Cold, Black Room
7. Black Tape For A Blue Girl
The Flow of Our Spirit
8. Soul Whirling Somewhere
Unhittable
9. Ordo Equitum Solis
Message to Pan
10. Sam Rosenthal/Vidna Obmana
Terrace of Memories
11. Love Spirals Downwards
This Endris Night
12. Thanatos
Moon of Dying Grass
13. Lycia
The Facade Fades
14. Black Tape For A Blue Girl
Scream, My Shallow
15. Alio Die
Global Construction
The Chicago-based 'Darkwave' label Projekt has released a number of
excellent compilations, of which Beneath The Icy Floe (Vol. 3) is one. The twelve
bands/artists featured on this release effectively demonstrate that the output of Projekt
goes far beyond mere 90s 'goth' or 'death rock.' Not only do these bands to a very high
degree explore the possibilities of 'beauty' in sound, they also predominantly exhibit a
level of spiritual striving not usually associated with 'goth/death rock' or modern music
in general. This CD displays a diversity in style and sound that spans from songs of
medieval mystique and ambient soundscapes, to melodies of ethereal beauty and anthems of
the darkly melancholy.
Most characteristic of the label
are perhaps Love Spirals Downwards, Black Tape For A Blue Girl
and Soul Whirling Somewhere -- the former two represented with two songs
each, and the latter with just one. The tracks by Love Spirals Downwards
are very melodic, with celestial female vocals supported by crisp acoustic guitars, subtle
percussion, and symphonic background atmospheres. Black Tape For A Blue Girl
likewise relies on classical elements with string arrangements strongly present in their
songs, which tend towards the more melancholy. Their songs alternately center around
angelic female vocals (reminiscent of Love Spirals Downwards) and highly
dramatic male vocals of a poetic/cerebral nature. The acoustic instrumentation of Soul
Whirling Somewhere is comparatively minimalist with male vocals of high lyrical
quality. Also along classical lines -- albeit, of a more medieval orientation featuring
mystical female voices -- is Ordo Equitum Solis, the title of whose song
"Message to Pan" -- in addition to their Latin name -- identify the mythical
inspirations of their music.
Human Drama and Thanatos
-- although quite different from each other -- both rely on arrangements closer to folk
music than classical. "Sad I Cry" by Human Drama at once
manages to be both perturbed and playfully whimsical in sound. The instrumentation
consists of piano and strings, supporting prominent male vocals of intimate flavor. The
vocals of Thanatos are more melancholy and introspective, and are
underscored by a mellow acoustic guitar theme.
The Australian band Eden
delivers a very strong piece on the compilation -- "The Darkness in Me." Eden's
musical influences are closer to modern music; the strong male vocals are accompanied by a
conventional rock 'n roll ensemble of drums, guitar and bass, but with a crashing synth
theme carrying along the piece while adding a dark melodic atmosphere. Lycia
is represented with a studio and a live track. The studio recorded song "The Return
of Nothing" features deep male vocals, acoustic arrangements, and a strong electric
guitar theme that builds throughout the piece. "The Facade Fades" features an
epic live sound dominated by heavy, treated guitars and dark icy vocals. Also present on
the compilation is Bleak -- a side-project of Lycia. The
intense grating guitars and dense percussion, along with the coarse, rasping vocals make
the origins of this band fairly obvious, although Bleak stands for a
colder and more stripped sound than Lycia.
Of an entirely different musical
avenue is "Babysbreath" by Lovesliescrushing. The closest
musical association of this band's unique sound would be 'shoegazer'. However, Lovesliescrushing
treat and manipulate their guitars beyond all recognition, creating a grandiose, buzzing
atmosphere of feed-back and distortion that emerges as miraculously melodious, lifting on
its streamlike surface the fragile beauty of a woman's voice.
Most radically divergent are the
exceedingly beautiful ambient pieces "Terrace of Memories" by Sam
Rosenthal and Vidna Obmana, and the extended closing soundscape of the
compilation -- "Global Construction" by Alio Die. While Alio
Die almost exclusively utilizes the sounds of nature in their compositions, Rosenthal
and Obmana's piece is generated by the use of a variety of acoustic instruments,
some of them of exotic origin.
The high quality and versatility
displayed on Beneath The Icy Floe is indicative of Projekt's entire catalogue of
releases, which includes -- in addition to the artists featured on this release -- such
names as Steve Roach, Attrition and Controlled
Bleeding.
Copyright Last
Sigh |

|