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Released
1998

Label
Old Europa Cafe

Reviewed by
Michael C. Lund

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V. le Marconi  38
33170  Pordenone
Italy

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Last Edit/Update
17 september, 1998

Bad Sector

PLASMA
(limited: 747 copies)


         
Track Listing

PL1  Ions
PL2  Waveguides
PL3  Mass
PL4  Irradiation
PL5  VLBI
PL6  Luminance
PL7  Plasma
PL8  Currents
PL9  Periods


          From the very opening electric sparks of Plasma, the listener is plunged deep into the heart of a hermetic world of flickering and breathing synthetica. This is the second full-length release from the Italian one-man project Bad Sector, and it is easily one of the most compelling and captivating creations of pure electronic music to come out this or any other year. Once "plugged in" -- so to speak -- the magnetic sound quality of this CD never loosens its grip on the listener, and one can only lean forward and be carried along with the all enveloping arrangements, until the final pulsing heart beat of "Periods" breaks the spell, and returns the listener to the mundane room presence of reality.
          Massimo Magrini (Bad Sector) is clearly intensely fascinated by the science and sounds of electronic phenomena, and the instruments created by man to temper and tame it. In fact, many of the sounds incorporated into the nine tracks on this CD stem from such sources as VLF magnetosphere recordings, short wave scanning and reception, neon tubes radio signals and high voltage transformer recordings. These wheezing, seething, spitting and grating recordings have been seamlessly weaved into the harmonious droning sonic streams of the compositions on Plasma, to create an immensely full and charged final sound image.
          Listening to this music is to tune the ears to the workings and whisperings of the universe itself. Bad Sector's music is extremely rich and grandiose; buzzing with a million minute details, as if each little click and electric tick was the aural trace of an atom or molecule across the velvet background atmospheres that hold it all together. At times the sonic currents carry with them human voices -- decayed electronically transmitted signals, plagued by static interference; impressions of the human struggle to grasp and impose its will on the mysterious and unconquerable energies of nature.
          The excellent cover art of Plasma depicts monochromatic photographs from the collections of the MIT Museum in Boston and the Nikola Tesla Museum in Belgrade. The photographs, like the music, at once pay homage to, and reveal the clumsiness of, the human aspirations to control electricity. These are images of gigantic solid steel structures that stand motionless, while lightning flashes from their cold surfaces to the ground beneath in forked patterns that are wholly unpredictable.
          Plasma has been released by the Italian label Old Europa Cafe in only 747 copies. It is simply a fantastic CD -- for anyone who likes the stark and severe variety of electronically generated music, this CD simply should not be missed.



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