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Released
1998
Label
DV
Reviewed by
Michael C. Lund
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50674 Köln
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Last Edit/Update
05 October, 1999 |
EINE SONNE VOLL BLUT
(Audio/CD-Rom Compilation)
Various Artists

Track Listing
Audio
1. Final Frontier -- Area 51
2. Null -- Bazillus
3. Hybernoid -- Dread The Time
4. Deep -- Crawl Under The Couch
5. Endura -- The Sleep Of Siloam
6. Null -- Freezing Dream
7. Origami Galaktika -- Rännak Tähtede Vahel (Mix)
Video
Red Harvest -- The Burning Wheel
CD-Rom
The Sleep Of Siloam
Interviews (Endura)
Discography/Biography
(Endura, KK Null, Hybernoid, Final Frontier)
CD-Player
Photostory (Deep)
Area 51
The German mail order/label DV has produced a very nice multi-media CD
entitled Eine Sonne Voll Blut, which presents the music of seven artists/ bands
along with various visual and interactive supplements. The featured artists span a rather
broad musical spectrum, from doom-laden electronic folk to post- grunge rock to
soundtracks for imaginary films. This variety, which could otherwise be somewhat
irritating on a regular compilation, is actually refreshing in this context, as the
different bands are presented in manners befitting their individual sounds, and thus each
section of the CD has a unique look and mood.
The seven tracks on the CD -- which
is in CD-Extra format -- can be played on a regular CD player, or on a computer with
CD-Rom drive (the disc comes equipped with a CD-player program); the audio of the final
video track by Red Harvest cannot be played on a regular CD-player,
however. From an opening menu screen, the tracks of the CD are randomly accessible -- as
one runs the cursor down the track listing, the graphics on the right side of the screen
change according to which track the cursor is pointing at. A click on either of the CD's
tracks leads on to a new screen, which lists the available options in connection with a
given track against a background of graphics/ images related to the band or artist in
question.
Final Frontier --
the solo-project of Norwegian Erik Sontum -- opens the CD. "Area 51"
begins like a rumbling thunderstorm, and develops into a deeply atmospheric soundtrack,
with pulsing bass notes, hovering synth harmonies, and a slew of well chosen samples
concerning space exploration and the search for life elsewhere in the universe. The track
is supplemented with a brief interactive essay on Roswel, aliens and government cover-up.
The essay is illustrated with photos of the infamous alien autopsy and UFO sightings;
additionally the Final Frontier section of the CD also contains a brief
background/biographical essay on Erik Sontum and his musical work.
Two tracks are featured by Null
(the solo-project of Zeni Geva member Kazuyuki K. Null).
"Bazillus" combines noisy metallic sound manipulations with what sounds like
rolling, tribal percussions and high-pitched, flute-like harmonies. The second track --
"Freezing Dream" -- is more characteristic of Null's work in
recent years: a constant, speeding, vibrating carpet of sound that -- towards the end --
transforms into a skipping metallic grind, and then abruptly stops. The interactive Null
section of the CD features background essays and detailed discographies of both Null's
individual career, as well as that of Zeni Geva.
With Hybernoid the
CD again completely changes character, wedding 80's death rock with the denser guitar
riffs and growl of current extreme metal bands. "Dread The Time" is nonetheless
a highly compelling piece, the harsher aspects of which are nicely balanced by layers of
melodic guitar themes and female vocals. The biography and discography of Hybernoid
is integrated in an interactive essay with cover stills and band photos.
The multi-media section for Deep
contains a brief background essay in German, as well as a fun little photo-story about the
band's history in English. Deep's music as exemplified here by
"Crawl Under The Couch" owes something to the early-90s guitar oriented
punk-rock bands from Seattle and Boston. But, be that as it may, the band maintains a nice
element of self-irony, manages to be both joyful and perturbed at the same time, and keeps
their music alive with many breaks and shifts in tempo.
Endura has
received the most thorough treatment of all the bands/artists on the CD. Their section not
only contains a detailed discography, and a total of six extensive interviews (reprinted
from various magazines), but also features a very evocative slideshow composed for their
audio track "The Sleep Of Siloam". Images that wed the imaginations of H.R.
Giger and H.P. Lovecraft alternate with moody photographs of the band's two
members set against backgrounds of religious and mystical design; strange and
disconcerting visuals that perfectly complement the dark organ dominated music. Obscure,
manipulated whispers rise out of the dense harmonic fabric, rattlings and the sounds of
gongs heighten the atmosphere of being in the presence of something mysterious and occult,
and triumphant trumpetlike fanfares penetrate the piece at odd intervals, as if heralding
the coming of some frightening, unknown entity.
There is no supplementary section
for Origami Galaktika, but their piece -- "Rännak Tähtede
Vahel" -- is on the other hand by far the longest on the compilation, running a total
of nearly sixteen minutes. The track is another slowly unfolding soundtrack-oriented
composition, with strong harmonic elements and strange tonal callings that have a decayed
quality, as if they had floated for aeons through space before arriving on this recording.
Numerous thematic fragments glide in and out of the soundpicture like aural scenery
floating past one's auditory range, and in general the impression evoked by "Rännak
Tähtede Vahel" is as of traveling into a future imagined by Philip K. Dick.
Eine Sonne Voll Blut ends
with a video by Red Harvest, who borrows the guitars and drums of
death/black metal, and combines these with synth-generated ambient-atmospherics. "The
Burning Wheel" is a hard-edge melodic track with good vocals that is supported here
by visually interesting video images of all manner of cosmic, biological and mystical
phenomena inter-cut with live footage of the band.
The truly winning aspect of this
release is, of course, its multimedia format; DV has really set a new
standard for what a music compilation can be. Paired with the audio tracks -- a number of
which are truly excellent in their own right -- the various visual and textual supplements
give enough of an insight into the featured bands/artists that one is compelled to go out
and explore their individual works -- even in those cases where the music itself would not
necessarily inspire that level of interest.

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