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Released
1996
Reviewed by
Kim & Minga Alexander
Label

Visit
Hearts of Space

Contact
RGB Records
One Harbor Drive
Suite 201
Sausalito, CA
94131
Phone: 415.331.3200
Fax: 415.331.3280
Last Edit/Update
21 February, 1998 |
Paul Haslinger
World Without Rules
Track Listing
1. World Without Rules (7.34)
2. Urban Source Code (6.02)
3. Dismissal of the Hemisphere (5.33)
4. Monkey Brain Sushi (2.51)
5. Be-Bop in Baghdad (7.01)
6. Asian Blue (5.34)
7. Desert Diva (6.28)
8. Rainmaker's Dream (5.34)
9. Le Sens Du Sens (4.44)
10. Global Ghetto (4.28)
11. The Closing of the Circle (4.20)
Worldly in his sound, education and travel, Ex-Tangerine Dream
member Paul Haslinger (keyboards, samplers, VL-1, machinery), exhibits his fine work in
this CD, World Without Rules with guests: Mark Isham (processed trumpet,
flugelhorn),
Nona Hendryx, S'ange, Anna Homler (vocals),
Steve Whalen (bass), Loren Nerell (gamelan),
and Charlie Compagna (guitars).
Paul comments on World Without Rules,
"...sound selection for this album did not follow any particular rules. To
put it differently, I took everything I could get hold of, no matter from where or what
quality. Apart from doing original sampling and programming at the Assembly Room, we also
tweaked and modified sounds from sample libraries too numerous to list.
The Yamaha VL-1, a new instrument which generates sounds based on physical modeling rather
than on audio-samples, has become another mainstay. It is played with a breath controller,
which allows for a range of expression new to keyboard-based playing. World Without
Rules was undertaken as a 'fun' project, with no major conspiracy-type activities
involved. Neither was there any original intention of making this an ethnic sounding
record -- the fact that it did come out that way can only be attributed to coincidence,
personal taste, and access." (CD cover)
World Without Rules is indeed a rich and diverse blend of
sound including but not limited to: techno, electronic, pop and ambient-ethnic. This
release is not for the musically weak as there are plenty of screams, hardwave electronics
and dance beats as well as a softer more relaxed sound as in Urban Source Code and
Dismissal of the Hemisphere which incorporate vocals, bells, and the indiginous
instrumental sounds that tanalize the Eastern mystique of music. Monkey Brain Sushi
is one of my favourites -- its a great dance piece with a hard crescendo of mashing drums,
vocals, screams and what sounds like guitars.
Be-Bop in Bagdad, a Middle
Eastern blend of bongos, drums, flutes and ghostly vocals which sounds like Native
Americans wailing as they watch their men head off to battle. (Minga says she really likes
this one.)
Asian Blue begins with
soft vocals, both sexes, harmonizing with a drone of I believe Mark Isham's Flugelhorn in
the background: "The horns in the background give this piece a mello effect" -
Minga.
Desert Diva is a surprise
piece unlike the previous tracks starting with guitars, synths, more Eastern female
vocals, catchy drumming and ethnic- ambient textures.
Rainmaker's Dream, envision an
ancient personnal calling upon the God's to bring the liquid of life to earth -- flutes,
drums and deep soundscapes invite you to sit back and enjoy the journey into this aural
ritual.
Flutes and expansive soundscapes in
Le Sens Du Sens marks the more ambient track on the CD. It is a beautiful piece
of music, allowing one to drift with the eerie harmonics and a gentle flow.
More upbeat and aggressive in the
beginning, Global Ghetto releases wind instrumentation, synths and clicking beats
into this pop-techno ethnic piece of work.
The last track, The Closing of
the Circle does just that with a sense of finality that sounds like a "pow-wow
ending after a night of expressing feeling and joy", -Minga.
Overall, this is an excellent CD.
It reminds me in part of early Delerium in soundscapes, percussion and later Delerium in
part with vocals but with much more Middle Eastern influences and textures. A definite
ethnic-world-ambient-techno sound to this release. A *must-buy* for those of you who enjoy
this type of music.
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