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Released
1997
Label
Iris Light
Reviewed by
Michael C. Lund
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Iris Light
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St. Columb Major
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Last Edit/Update
02 juli, 1998 |
Maëror Tri
EMOTIONAL ENGRAMM
Track Listing
1. Landscape Of Visionary Thoughts
2. Sublimis
3. Nebulos
4. Vadum
5. Chymos
6. Undisonus
7. Sphaira
Comprised of recordings dating from 1993 to 1996, Emotional Engramm is the final
work from the groundbreaking German electronic-experimental transcendentalists -- Maeror
Tri. The CD has been released by Iris Light, and with its seven
extended and deeply evocative pieces, it is a worthy farewell from Maeror Tri
-- 2/3 of which will continue to create music as Troum.
The music on Emotional Engramm
is developmental rather than structured; it is not moved forward by the propulsion of
rhythm or beat, neither is its flow accreditable to melody, although threads of harmony
and melodics do play an important part in Maeror Tri's musical
needlework. Above all, the experience of listening to the pieces on this CD is akin to
looking into a kaleidoscope, and slowly twisting it to make the little shards of colored
glass assume new and always intricate patterns.
"Landscape Of Visionary
Thoughts," for example, opens with rumblings so deep and subdued that they seem like
a aural fata morgana. Slowly, twinkling electronics fade in, and
establish a mood as of a synthetic orchestra tuning their instruments for a suite. The
sounds gradually bleed into each other, and evolve into vibrating and echoing tones that
emit a chromatic brilliance; as these sounds grow stronger they take on the quality of
something enormous passing by, and disappearing out towards the stars. The piece
then drifts into a saturated cloud of atmospherics, out of which rises a fragile, yet
strangely familiar rudiment of a melody. It hovers above the thundering and turning
engines that fire up far below, levitating on the powerful updrafts of sound. And --
miraculously -- as everything else fades at the end like some bad memory, this
increasingly faint progression of notes linger momentarily, before it too evaporates into
the space of silence.
A vast construction of sustained
tones meet the listener at the outset of "Nebulos." The incomprehensible murmur
of voices duck in and out of this deafening structure, while a distant hiss ever so slowly
comes into focus, and reveals itself as the hypnotic sound of rain. At first the soothing
impact of each raindrop is audible against the fabric of cosmic drones that remain present
in the background; later the rainfall intensifies, and then finally subsides altogether,
leaving "Nebulos" to end, the way it began, with otherworldly, almost solid,
objects of ringing sound.
The sound of water is also used on
"Undisonus," although here it has been manipulated into the heavy breaths of
some enormous organic entity. Clacking beats and soaring atmospheres are almost drowned
out by the wash of aquatic interference. Maeror Tri does not stay at the
edge of the ocean for the duration of this piece however. Soon, the listener is gently
carried away, and, throughout the remainder of the piece, held aloft on sheets of
sustained, shimmering harmonics.
The other four selections are
equally evocative and visual, but it serves little purpose to wring apart the language of
words to describe these musical compositions, which in all truth elude any attempt at
capturing their essence through verbal acrobatics.
While listening to Emotional
Engramm I was overwhelmed by memories and images from when I was a boy. Even more
strikingly perhaps, certain thematic sequences on the CD gave me deja vu of
melodies that I composed in the silence of my thoughts many years ago, and only hummed or
whistled when I found myself absolutely alone. I have no way of being sure that Maeror
Tri's music has actually given me back these most private memories and
compositions of mine, or whether the triggering of such sensations in the listener is an
intrinsic quality of their music. All I do know is that I like to listen to this CD more
than just about anything else, and I cannot recommend it highly
enough.
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