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Released
1998

Label
Lascaux

Reviewed by
Michael C. Lund

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Tatsugi-bldg  4F
3-27-4  Kitazawa
Setagayaku  Tokyo
Japan  155-0031
Tel/Fax:  81-3-5454-4878

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Last Edit/Update
13 March, 1999

Ringlead

FUTURE WAVE


         
Track Listing

1. Future Wave
2. I Pray
3. Waltz
4. Sacrifice
5. Camera Tranquilla
6. Future Wave Second
7. Gita
8. Crash Of Horn
9. Prague
10. Marzo


          The Japanese label Lascaux specializes in experimental/avant-garde music of a wholly different kind than the noise-based sound explorations of the majority of Japanese bands/artists that we hear in the West these days. Ringlead's first CD on Lascaux is thus a collection of ten very harmonious songs that skip and jump across many genres, and manages to fit everything into a framework of atmospherical guitar work. Future Wave is an odd bird to be sure, but it is one that delights with its colorful plumage.
          In the space of less than four minutes, the opening piece "Future Wave" travels several light-years, from sonic depictions of sunspots and cosmic interference to short-wave tunings and an operatic female vocal sequence accompanied by acoustic piano. This musical plasticity is retained throughout the CD, with individual tracks alternately favoring Ringlead's experimental and atmospheric qualities, and more rhythmic and vocal arrangements. The aforementioned "Future Wave", as well as "Sacrifice", "Future Wave Second", "Crash Of Horn" and "Marzo" are all essentially instrumental tracks, although brief appearances of voices -- often played in reverse -- do occur. "Sacrifice" is a very moody composition pitting test tones and wandering strings against a backdrop of slow, bass chords of a warmth and texture as if produced on a viola. The brief "Future Wave Second" is a study in reverse sound manipulations, through which meanders an unaffected acoustic piano theme. And, the likewise short closing track -- "Marzo" -- is a tranquil sea of the layered spacious guitar harmonies that play such a dominant role on most of the album's compositions.
          The other half of the album features beautiful female vocals that are often classically inspired, but occasionally shift into a more modern mode of delivery. "I Pray" -- with its funky rhythm and bass lines -- is probably the closest to a regular dance hit, although the piece is thrown off balance by part of the vocals being run in reverse, and crashing waves of atmospheres at times threaten to drown out all other sounds. Also well suited for the dance floors is "Gita", which opens with dance beats (of the drum machine variety) rushes of harmonic guitar treatments, and high-pitched joyful vocals. In a similar vein is "Waltz", featuring the most serene vocals and use of streaming harmonies, while apparently finding its looped waltz rhythm on a casio keyboard of the $15 price category.

          Future Wave has something for both the dance clubs and the more recreational type of listening situation. It is a refreshing little CD (just under 40 minutes in length) that shows a different facet of the Japanese imagination -- one that is not uninfluenced by Western modes of musical expression. Lascaux has an on-line mail order service, so in case a search through the local record bins should prove unsuccessful with regards to Ringlead, or other of the label's releases, one can order them straight from the source.



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