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Skin Graft Records
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Michael C. Lund
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14 February, 1998 |
Ruins
REFUSAL FOSSIL
Track Listing
1. Refusal Fossil
2. Uskilsdos Zaimm
3. Stara Planina
4. Eccentric Ditch
5. Etymology
6. Empty Hands
7. Der Strudel
8. Still Life
9. 7th. Dimension
10. Faux Numero
11. Calnac
12. Heraklion
13. Ramification
14. Burning Stone
15. Plexus
16. Dhaskrive
17. Gravestone
18. Del Fanci Kant
19. Infect
20. Prog. Rock Medley
With more than a decade --
and an impressive list of releases -- behind them, the Japanese duo Ruins
has recently entered the Skin Graft camp, and has just released their
first CD Refusal Fossil on the label. Producing all their songs exclusively on
drums and bass, Ruins' music is like a dial moving across the entire
musical spectrum from jazz to punk to noise to traditional rock to pseudo-opera. This new
CD contains new recordings of twelve previously unreleased tracks, along with eight live
tracks featuring a number of guest musicians from the Japanese underground music scene.
The songs on Refusal
Fossil come in all shapes and sizes, but common for them all are the playful
arrangements of songs, with numerous breaks, changes in tempo and displays of technical
virtuosity. It all sounds so unfettered and unrestrained, even improvised at times, yet,
every song is carefully scripted and executed with minute precision. Both bassist Sasaki
Hisashi and drummer Yoshida Tatsuya sing on most of the songs, alternately
in English, Japanese and a strange self-invented language. Hisashi has
high-pitched falsetto voice and Tatsuya a deeper burr; at times they sing in
harmonious unison, and at others they shoot off in opposite directions or engage in bouts
of vocal rivalry.
A few of the tracks
("Empty Hands," "Faux Numero," " Burning Stone" and
"Dhaskrive") clock in right around the one-minute, and are frantic, all-out
musical explosions, with vocals spat out machinegun-style as if they were the last
rantings of a condemned man. Most commonly, however, Ruins' songs are 2-3
minutes in legth, and, due to the breaks and shifts, often feel more like two or three
songs compressed into one. The title track, for example, opens with some wildly acrobatic
drumming, whereafter the song totally shifts gears into a passage of laid-back bass riffs,
which are then again splintered by a rain of drums towards the end of the piece.
"Stara Planina" begins very melodically with emphasis on vocals and bass
thematics, however, later in the song things speed up considerably, and the song ends with
Hisashi and Tatsuya running amock on their instruments. Both
"Calnac" and "Heraklion" are structured with alternating passages of
melodic and harmonious arrangements, and segments of shattering, discordant aural chaos.
Of the handful of longer pieces on Refusal Fossil, the closing track "Prog.
Rock Medley" is probably the most fascinating. Here, Ruins cover
approximately twenty of the classic rock bands in just under five minutes. The result is a
plastic, fast-forward, skip-jump-skip romp that weaves the many fragments of sons together
into a seamless rock 'n roll tapestry.
Ruins are
perhaps an acquired taste, appealing to those with a more adventurous taste in music,
while sending most of everyone else screaming for cover. As mentioned the prolific
Japanese duo these days reside with the Chicago-based Skin Graft label.
Rumor will have it that the self-proclaimed "outhouse of ideas" has great plans
for Ruins, so watch out for further releases in the near future.
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