
To Last Sigh
Released
24 August, 1999
Label
Black Rain
Reviewed by
Peter Griffin
Visit
Black Rain
Last Edit/Update
03 March, 2001
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Track Listing
1. dava-n-tage - decadence
2. feindflug - bluthandwerk
3. black design - final day
4. accessory - revolution
5. infinite gloom - picture of dread
6. the days of the trumpet call - dem morgen (andacht)
7. staub - the damned
8. ecodalia - bloodtears
9. flesh field - heretic
10. cyborg attack - bitch
11. warsaw pact - transrapid (live)
12. defcon5 - human (000 time out remix)
13. for a space - the phoenix-case
bonus tracks :
14. black design - circulus
15. shadowland - sailing away
this compilation from german label black rain offers up 15 tracks (oh how I wish it was
14), an assortment of classically-styled darkwave, variations on the body music theme and
crunchy post-industrial angst. the 4 exclusive tracks are provided by dava-n-tage, the
days of the trumpet call, warsaw pact (live) and defcon5.
first up is dava-n-tage with 'decadence', a routine 4/4 synth/ebm track reminiscent of
depeche mode live at crocs circa 1980 and 'where are they now' machinery boy band syn-tec,
ergo this sounds *old*. the tom shear-like vocals stand out however. moving on we find
feindflug and 'bluthandwerks', full-on power-noise psycho seeks curious offbeat melodic
type. black design's first offering is 'final day', a peculiar brand of electro-goth
warblings that admittedly won me over. I prefer the english gothic rock tradition as
opposed to the softer strings 'n' synths of german darkwave, but the english vocals are of
a very high standard here.
accessory with 'revolution' is fledgling electrobeat, a confusing mix of harsh
'industrial' vocals and immature melodic content. infinite gloom make way for the oddly
named 'the days of the trumpet call' and 'staub', the former bordering on neo-classical
nirvana with 'dem morgen (andacht)' while the beginning of 'the damned' is a dead ringer
for the 12" remix of 'eloise', by yes, the damned! (vanian, scabies etc.), developing
however into an excellent piece of horror-ambience thereafter. twilight records' artist
ecodalia present 'bloodtears', an unremarkable token ballad.
flesh field's 'heretic' taken from the album 'viral extinction' is the standard bearer for
electro/ebm on this compilation, the switch male/female vocals are not entirely convincing
but the polished style of abm and overall production cannot be faulted.
cyborg attack's comical 'bitch' is abm, no, not advanced body music, read on. ebm kids
will have to learn how to pogo pretty damn quickly before this track disappears into the
annals of anal body music. 'bitch', 'I hate you bitch', progressing to '**** you bitch' is
the apparent extent of cyborg attack's command of the english language, but you can dance
to it, and that matters doesn't it?
'transrapid' (live) by warsaw pact is industrial as in tg, as in 20 years ago when
experiments with sound came to define the term 'industrial music' in the relative absence
of technology. we have sub-analogue noise and shouted vocals, repeated ad nauseam to a
cacophony of distortion. maybe it was free to get in.
defcon5 and the '000 time out' remix of 'human' is contemporary synth/ebm while for a
space (basic unit productions) combine dark ambient, darkwave and trip-hop in 'the
phoenix-case'. black design return on this compilation for a second time with 'circulus',
a storming goth, metal, darkwave track with german vocals this time around. excellent.
outro 'sailing away' by shadowland. the only sentiment that comes to mind when fed with
this excruciating sub-diva cringe is 'get me the hell outta here'. it's eighties metal
cheese and nineties goth crock rolled into one, it's awful. cue 'mystical' spoken-word
verse, the 'diva' tells us 'I will never return'. let's hope so.
of 15 tracks, 11 are competent, 3 disappoint, and then we have 'sailing away'. despite the
latter, 'black rain compilation 2' succeeds in balancing a potentially volatile mix of
darkwave, dark electro and industrial in a user-friendly package. easier said than done.
check it out, yes really. |

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