
Released
1998
Label
Digital Hardcore Recordings
Reviewed by
Mike Ramirez
Contact
Digital Hardcore Recordings
30 Dean Street
London W1V 5AN
Contact
Fever
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Email
Digital Hardcore
Last Edit/Update
03 July, 1999 |
Fever
Too Bad But True
Track Listing
1. Rubber Cell
2. See You Runnin
3. Got To Be
4. Two Poles
5. Black Around Me
6. The Button
7. Distill Your Brain
8. Fever
After having one
listen to Fever's "Too Bad But True," it is safe to say these Germans like their
hip-hop with a bite. "Too Bad But True" is one of DHR's newest releases, or
re-releases, and it is surely one that stands out. Any fan of hardcore rap or even digital
hardcore artists such as Ice Cube, The Bomb Squad production team, The Arsonists, Bomb 20
and Public Enemy will appreciate what Fever has to offer. While the album is shifted away
from DHR's trademark sound, bandmates Din-S.T. and Paul P.M. create their own vision of
"digital hardcore."
Fever basically take the bare elements of hip-hop and runs it through
an anti-rhythmic grinder several times, until the final product is createda mesh of
electronic noise, rastafarian samples, hardcore rap beats, and more abrasive noise. It
sounds threatening at first, but the amazing thing about Fever's creating methods is that
the results actually work instead of trying to come off as being "experimental,"
which most bands use as an excuse today for the lazy scheme.
At time, Fever's groove can be easily heard in standout tracks such as
"See You Runnin, " especially with the Wu-Tang Clan styled beat, the Galaga
arcade game samples, and indecipherable vocals that sound reminiscent to Chuck D of Public
Enemy fame. The turntable manipulation presented here is nothing new to the scene, but
fits perfectly into the mix. "Two Poles" serves as a perfect theme song to a
carnival funhouse, and it is the only track on the album that contains published lyrics,
whereas every other song mainly uses snippets of vocal tracks.
A downfall does occur with "Black Around Me," as this track
seems merely as filler instead of trying to appear as a proper fitting. There is too much
shifting in the track instead of having one main focus. Some listeners might find this
interesting and complex, but it left me feeling very annoyed and eager to hit the skip
button.
If you're expecting a formulaic hip-hop or digital hardcore album, then
this disc is not for you. However, if you like both of the aforementioned genres, twisted
enough to make a corpse cringe, Fever's "Too Bad But True" will most likely be
up you alley, or make you at least give a listen or two to form your own opinion. I'm also
positive you'll think of the "bite" statement as well.

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