
Released
1998
Label
Jack Kettle Records
Reviewed by
Donald Netolitzy
Visit
J Mundok
Visit

Jack Kettle Records
Last Edit/Update
29 June, 1999
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Artichoke
Track Listing
1. The Bottom
2. Showing Nothing
3. A Long Day
4. You and Me
5. Red Walls
6. Evening in July
7. Complicated
8. Artichoke
9. The Money Man's Unfair
10. Night Lights
11. -
12. -
13. untitled
Have one of those
'alternative' districts in your city? You know the ones. Full of piercing and tattooing
(ahem, 'modern primitive') establishments, funky vintage clothing stores, coffee shops
galore, some nifty and some hideously pretentious restaurants (but just guess which is
which.) Been there, haven't you? OK. Good.
If your alternative district is anything like mine, every couple meters
there's a cluster of buskers, earnest looking individuals sporting frizzy hair (head and
facial), beads, torn and faded clothing which you know either cost serious cash at some
'specialty' clothing store - or was thrifted. And they're sitting there, strumming a
guitar, perhaps with another eclectic instrument or two, singing along, looking
exceptionally earnest.
If you're me, you snigger a little, and keep on walking, amused by the
wussiness of their footgear. Or perhaps you stand and listen for awhile, and toss a few
coins into the guitarcase. Well, if you're the latter, you no longer need to wander out of
your house to acquire this musical experience - as with j mUNdoK, you can savor such in
the comfort of your very own home.
Though admittedly, artichoke is far more honed than the product of the
average street performer; using a combination of acoustic guitar, keyboards and xylophone,
j mUNdoK has produced a pleasant, non-intrusive listening experience. Percussion is
absent. Instrumentally, guitar and vocals predominate, in a classic 'folk' manner, while
keyboards form a distant accompanying presence. Electronic effects and samples are
primarily limited to introductory elements on a number of tracks, and at times seem out of
place, when coupled with the acoustic guitar and vocals compositional core - the
transition in the introduction of "Showing Nothing" is particularly awkward. But
the net effect is consistent. A vaguely wistful, by no means overly emotive experience,
well matched by lyrics which range from playful to vaguely discontented. While the
vocalist is hardly spellbinding, the delivery is unpretentious and thus, quite adequate.
Given the variety of pace and tone, the album as a whole is a reasonable light listening
experience, mellow and in no ways intrusive.
Interestingly, the final 'bonus' track of this album diverges
dramatically from the remainder in style, an ambient/instrumental composition, dreamy,
flowing and darkly evocative with impressive subtle layering. A new direction for this
project? Perhaps, the newly released "Saturated" album is described as
ambient/pop instrumental by the artists, and if so, this taste of the new is promising
indeed.
For the industrial/goth/experimental fan? Probably not. But if you find
yourself listening to those buskers perhaps an interesting diversion.

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