
Released
May 1999
Label
COP International
Reviewed by
Jason X
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Last Edit/Update
02 October, 1999
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Soil & Eclipse
Meridian
Track Listing
1. Poetry of Angels
2. Meridian
3. Thief of Always
4. Piano Song
5. King of Lies
6. Exile
7. Vallhalla
8. Divinity
9. Tempest in the Spark
10. King of Lies (Nerve Factor Mix)
11. Lycanthropy
12.The Haunting
One of
the newest electro-goth acts to hit the scene, Soil & Eclipse return
with their sophomore release, Meridian. While not as moody as
their previous album, Meridian leans more toward electro-dance.
Lead singer Jay Tye, is hailed as being one of the few distinguishable male vocalists in
the gothic community while G.W. Childs IV brilliantly crafts the orchestra. Mixing techno
with gothic, Soil & Eclipse display their songs with craft and
precision to present the listener with a 90s version of opera.
On the
first track, Poetry of Angels, Jay's voice just seems to resonate with power and
grace throughout this track. It must be the way his operatic voice just seems to grace
this entire song. Meridian sounds like Obsession, by Animotion.
They have a similar beat and tune, but also keep their own electro-gothic feel to it. Thief
of Always is more upbeat and relaxed with a darkwave groove. It almost conjures a
sort of Arabian Nights theme with steady percussion. Piano Song has more of a
gothic mood to it. With a slow and steady rhythm, this song complements that dramatic
voice Jay can pull-off. King of Lies features a heavier percussion with much more
layered synthesizers. It were as though the song was a product of early Haujobb.
Exile screams with drama and suspense. The lyrics are deep in that it were as a
love story gone wry. Jay's screams of passion and guilt flow smoothly throughout the song.
Vallhalla returns to the electro-gothic dance rhythm. The track moves into a sort
of dark innuendo shifting through the pale skies of black. Divinity is more of a
new wave-ish tune that sounds familiar to a Tears For Fears song without
any guitar. Tempest In The Spark features a steady percussion with piano solos.
The song itself screams with sadness and despair. The next track is a remix of King Of
Lies by Nerve Factor! With added breakbeats and more layered
electronics, it builds the song even greater with a more electronic tune. Lycanthropy
is a heavy dance tune that seems as though it went through a major transition from gothic
to industrial EBM. While still retaining Jay's intense vocals, it seems more harsh on this
track. The final song, The Haunting sounds like a dark, gothic song with piano
and organ in the background to enhance the melancholy. A slow and dark song that marks its
final Soil & Eclipse trademark.
It seems
as though they have jumped leaps and bounds from their previous album in production
values. Meridian seems fine tuned and could become a contender for
classic club play. While a few songs do capture some attention, the album is an improved
sophomore release. There are not many quality electro-goth acts available, but Soil
& Eclipse manage to shroud the listener with their operatic performance.

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